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Concept
Note-Ages of
Separation
Diwan Manna is
known for his soulful images and is a pioneer
among art photographers. He is one of the first
exponents in conceptual photography in India. His
artistic technique and expression is unique and
has a style of its own.
Diwan combines
photography with painting, body arts and acting to
create works that defy definition.
He has been
exhibiting extensively across Europe including
France, UK, Germany and Poland for the last about
15 years and has collections with some prestigious
museums and institutions of Europe. He is a
recipient of National Award in Photography by the
Central Lalit Kala Academy.
The present
exhibition “Ages of Separation” is about his
journey in search of trying to come to terms with
the insidious and unrecognized forms of
degradation of our sense of life and honour within
ourselves as well as in others. He is not merely
interested in presenting images of destruction of
human goodness, courage and beauty, but tries to
tap the unsuspected and as yet unrealized sources
of tenderness, fortitude and humanity in us.
In the present
exhibition he is going to show approximately 40
large images from the series Shores of the
Unknown, After the Turmoil, Alienation, Violence
and Conceptual Self Portraits.
He shows us many
aspects, in three successive phases, of his work.
The black and white of his first work, and then
the fiery contrasts of colours in his more recent
work are only metaphors of eternal combat that men
engage in to reach the light.
Diwan Manna reveals
both his real compassion for his contemporaries as
well as his admiration in front of the beauty and
dignity of beings, for he knows how to affirm in
his colour compositions his conviction of seeing
in woman the future of the world and all its
magic.
This is how Diwan
Manna speaks to us and passes from social
violence, precariousness of life of men and women
living in the shadows like the forgotten, to the
solitude of beings and their anguish. Two series
of black and white photographs of technical
mastery and perfect classical beauty precede here
then big photographs, in intense colours, with
carefully thought out portrayals that are like
inner and symbolic dreams.
Life, Woman,
Hope.
An encounter with
these pictures is a disquieting and an empowering
experience. It brings out our hidden humanness,
which in fact becomes an experience of
self-realization for each one of us. It opens a
reservoir of fellow feeling across cultures,
languages and political milieus.
In a way the
experience of the exhibition recovers for us our
lost humanity. We can hear the pangs within us of
the humanity being reborn.
PS: Diwan Manna was
invited as a part of a cultural exchange in France
to photograph people and Le Corbusier creations in
May-June 2006, and an exhibition of these
photographs along with his counterpart from France
Michel Dieudonne who photographed Corbusier
creations in India, would be held in
Saint-Etienne, France from November 20, 2006. It
is scheduled to be inaugurated by French president
Jack Chirac.
Diwan is also a
part of an exhibition along with two French
photographers in Lille, France from 14 Oct 2006 to
14 Jan 2007.
Dr.
Alka Pande
Curator
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